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March 10, 2010

Bogie and Bacall – The Signature Collection Streaming

Filed under: Bogie and Bacall - The Signature Collection — Tags: , , , , — alfredpearson1966 @ 5:44 am
Bogie and Bacall - The Signature Collection Streaming. Bogie and Bacall – The Signature Collection Streaming.

Movie Title: Bogie and Bacall – The Signature Collection
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Bogie and Bacall – The Signature Collection is available for streaming or downloading.

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The 1940s Hollywood power couple of Humphrey Bogart (1899-1957) and Lauren Bacall (1924-) made four obedient films together:

(1) To have and have not (1944) –11/03 snap-case DVD UPC 012569584327, 7/06 keep-case DVD UPC 012569676862

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(2) The broad sleep (1946) –2/00 snap-case DVD UPC 012569502628, 7/06 keep-case DVD UPC 012569676817

(3) Murky passage (1947) –11/03 snap-case DVD UPC 012569584228, 7/06 keep-case DVD UPC 012569676824

(4) Key Largo (1948) –2/00 snap-case DVD UPC 012569501027, 7/06 keep-case DVD UPC 012569676848

The 1944 movie is a World-War-II film whereas the others are film-noir flicks. [Incidentally, Bacall played opposite Betty Grable and Marilyn Monroe in How to marry a millionaire (1953) . The film has an in-joke: the Bacall character says: "I've always liked older men. Ogle at Roosevelt, peep at Churchill, examine at that traditional fella what's his name in The African Queen. Absolutely crazy about him." Bacall is referring to her real-life husband, Humphrey Bogart.]

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The box site “Bogie & Bacall: The signature collection” (DVD 7/06) collects the four Bogart-Bacall movies in a convenient spin case to house appropriately four plastic sustain cases but awkwardly four cardboard snap cases. The four films in the box location advance in plastic sustain cases and are

also available separately. The previous releases were in cardboard snap cases but are level-headed available. The exteriors of the respective snap and hold cases are virtually identical, those of The expansive sleep DVD varying the most, but only for the “special features” impress. The earlier snap cases each have inside a chapter index and additional photo. The newer hold cases lack scene indices. I compared the four DVDs in the snap-case editions with the four DVDs in the keep-case editions. The DVDs for each movie are identical. It is vital to stamp that the DVD for The substantial sleep is two-sided:

Side A (114 min) = 1946 theatrical-release version

Side B (116 min) = 1944 pre-release version with 18 minutes that were either reshot or deleted from the theatrical release

Side B of the keep-case DVD is not clearly labeled as such.

Warner was remiss in not issuing with the box dwelling a brief booklet on Bogart and Bacall.

In conclusion, if you have the four snap-case editions, they are not outdated, and with reasonable care the cardboard snap cases wear well. However, if you are a Bogart collector lusting for the nice chase case for the quartet of films, gather the box place with the plastic keep-case editions and give your snap-case editions to a friend or relative.

This long overdue collection of the four films Bogie and Betty made together is an absolute must have for fans of both Forties flicks and of course the greatest romantic screen-team in Hollywood history. Starting with ‘To Have and Have Not’, which was Lauren Bacall’s debut film, as has been said many times before one can literally gape the pair plunge in fancy on-screen a la Garbo and Gilbert in ‘Flesh and the Devil’. The record is pure Hemingway with incredible abet from Walter Brennan and Hoagy Carmichael among others.

Next came ‘The Titanic Sleep’, a amazing (if not baffling!) film noir adapted from the common modern by Raymond Chandler. Betty never looked more glamourous and sexy than she does in this one.

Their third film togather was the highly underrated ‘Dark Passage’, another noir gem expertly directed by the equally underrated Delmer Daves with excellent help from Agnes Moorehead and Bruce Bennet. Bogie plays a framed innocent man unbiased escaped from San Quentin who is aided and abetted by Bacall after winning her trust.

The fourth and unfortunately last film with the pair is ‘Key Largo’, more in the vein of ‘To Have and Have Not’ than the previous two. The best supporting cast of all four films includes Claire Trevor (who won Best Supporting Actress), Lionel Barrymore and Edward G. Robinson in one of his last tough-guy gangster roles. In her book, Bacall describes the experience of making this film as one of the happiest memories of her career with daily afternoon tea served in her dressing room!

The effect of this situation considering the high-quality of the prints and the marvellous and relevant extras included by Warner’s makes this site top-notch value for money. Don’t mediate twice, derive it!
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Lowest Price on Waxwork / Waxwork II – Lost in Time

Filed under: Waxwork Waxwork II - Lost in Time — Tags: , , , , — alfredpearson1966 @ 2:42 am
Lowest Price on Waxwork / Waxwork II - Lost in Time. Lowest Price on Waxwork / Waxwork II – Lost in Time.

Product: Waxwork / Waxwork II – Lost in Time
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Waxwork and Waxwork 2 are very inovating anxiety films. Now we can savor both movies on one disk!!! Gigantic “POPCORN” movies from the “AWESOME 80’s!!! I objective purchased this dvd and Waxwork pt 1, is the UNRATED version… so your seeing all the blood and gore, especially in the Wereolf and the Vampire slayer scenes. Waxwork–UNRATED and Waxwork 2—RATED R. Hope this helped anyone. “Steak Tar Tar anyone? ” Bask In!!!!

Artisan does it again by releasing this gargantuan double feature DVD. If the recent Waxowrk wasn’t noble enough, you also procure its awsome sequel. For those of you who haven’t observe Waxwork, don’t be fooled into thinking this is going to be a totally serious scary as hell movie. I is actually very toungue in cheek and has many amusing moments. In the wake of Re-Animator, there were many immitations on mixing humor and gore, and Waxwork is one of the better films to near out of the mix. The sequel is almost objective as ample as the fresh and portrays many cameos that you will ogle (Bruce Campbell and Drew Barrymore to name a few) . Two very bewitching film a cheap imprint. Now te downside. Originally when Waxwork was released on VHS, it was released in two seperate verions: an R-Rated and an Unrated. Sadly, the R-Rated version is the one explain on the DVD which makes me afraid that the Unrated will never be released. Another complaint is the relate quality. Artisan needs to begin remastering these things. All their double feature DVD’s are grainy. But that aside, don’t let those downsides discontinuance you from purchasing this DVD, its well worth it.
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March 5, 2010

Stream Braveheart Movie Online

Filed under: Braveheart — Tags: , , , , — alfredpearson1966 @ 2:28 am
Stream Braveheart Movie Online. Stream Braveheart Movie Online.

Movie Title: Braveheart
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Braveheart is available for streaming or downloading.

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On a whole number of levels, this movie shouldn’t have worked for me. It takes powerful license with historical facts, not only in order to supplement details that are not share of William Wallace’s memoir but actually, wherever convenient. (”We stuck to history where we could but hyped it up where the tale let us,” actor-director Mel Gibson admits on the DVD’s commentary track.) It is graphically and unabashedly violent: from throat cuttings to battle scenes that have film blood literally splashing onto the camera, beheadings, a traitor’s head smashed with a

wrecking ball, and fully 15 minutes of Wallace’s “purification by damage,” it shows some of the most brutal behavior conceivable. It also engages in some of the most blatant glad profiling in unique film history – not unbiased in the drastic demolish administered on the lover of King Edward I. “Longshanks”’s son, but equally in the portrayal of both characters and their relationship as such. Last but not least, Mel Gibson plays a man at least 10 years younger than himself, a choice often enough bordering on the ridiculous. (Gibson insists it was the studio’s wish that he not only perform and vow but also star in the title role.)

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And yet …

From the first notes of James Horner’s hauntingly handsome soundtrack and the first sweeping camera shots over the Scottish highlands, blending seamlessly into the pictures of the Scottish riders on their plan to the alleged truce talks initiated by Longshanks, and the narrator’s, Robert the Bruce’s (Angus MacFadyen’s) introduction – “I shall remark you about William Wallace: Historians from England will call me a liar, but history is written by those who have hanged heroes” – there is no mistaking that this is an anecdote fable, taking up the tradition of the likes of “Spartacus” and “Ben Hur.” Like those movies, “Braveheart” is a myth of heroism and of having the courage of one’s convictions; chronicling the life of its hero from first appreciate to loss, betrayal, battles and final confrontation with his arch-enemy’s powers. Like both of them, “Braveheart” won multiple Academy Awards, not least for John Toll’s outstanding cinematography. Like “Ben Hur,” it also won the coveted awards for “Best Describe” and for “Best Director.” And maybe I’m unprejudiced a sucker for that kind of epos …

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To my surprise, I found Mel Gibson to approach across very believable as William Wallace; age contrast, Scottish brogue and all. Both his acting and his direction are informed by a positive sense of vision for the movie and its title character. Moreover, although rotund writing credits went to would-be (? ) Wallace descendant Randall W., many limited details undeniably display Gibson’s hand and mannerisms: to name impartial a few of the more distinct examples, Wallace’s marriage proposal to Murron, his grinning greeting of a group of English soldiers trapped below a cliff, and his response to a doubting Scottish soldier’s comment at Proper that he can’t really be Wallace because he’s not gargantuan enough.

In addition to John Toll’s award winning cinematography, the movie benefits from kindly production form (Tom Sanders), a derive which perfectly captures the mood of every single scene, and a cast of outstanding actors; first and foremost Patrick McGoohan as Longshanks, who portrays the king’s vow ruthlessness so convincingly that you completely forget his earlier incarnation as the 1960s’ “Peril Man,” and who delivers monologues and soliloquies capable of a Shakespearean king. His musing “but whom shall I send” when plotting to send a messenger to Wallace with another insincere offer of truce, and his chilling announcement of the reinstitution the ius primae noctae because “the wretchedness with Scotland is that it is tubby of Scots … If we can’t collect them out, we’ll breed them out” could have been uttered verbatim by anyone of the Bard’s most noxious kings. (Screenwriter Randall Wallace does indeed admit to Shakespeare’s stutter influence on the script, particularly on Wallace’s “Sons of Scotland” speech before the battle of Respectable, which is strongly based on the monologues of King Henry V. at Agincourt) .

Equally impressive is Ian Bannen in one of his last roles, starring as Robert the Bruce’s leprosy-ridden father and sinful spirit, whose first reaction to the tales about Wallace is to deride him (”He has courage; so does a dog”), and who expertly plays on his son’s ambivalent feelings, until he finally drives Robert into hating his father for having coaxed him into his bear game of scheming and betrayal – whereupon the elder Bruce drily comments: “At last you have learned what it means to detest. Now you are ready to be a king.”

Then-newcomer Catherine McCormack stars as Wallace’s childhood admire Murron, whose scenes with Wallace provide for much-needed tenderness in the first hour of the movie – particularly touching is four year stale Murron’s gift of a thistle (Scotland’s national flower) to orphaned William – and inequity sharply with the bloodshed that follows virtually incessantly from her death onwards. Sophie Marceau matures from teenage party queen (”La Boum”) to French Princess Isabelle; Brendan Gleeson stars as Wallace’s boyhood friend Hamish, David O’Hara as his heaven-conversing, self-appointed Irish guardian Stephen – one of the movie’s most shiny characters – and Brian Cox brings all his fabulous cover presence to his brief appearance as Wallace’s uncle Argyle.

When I left the theater after having witnessed this movie’s almost three hours of blood, gore and intense emotions for the first time, I felt as if somebody had given me a fist punch into my stomach. I was so struck that I was almost unable to exclaim, and dragged my moviegoing companion into the next bar, to revive my spirits with a glass of whiskey. (Scotch, of course) . Having seen the film countless times since then, I no longer need that whiskey to overcome its drastic impact – but I composed pick up gooseflesh during many of its key scenes and can’t behold it without feeling emotionally drained at the raze.

Also recommended:

William Wallace

Braveheart

Rob Roy

Spartacus – Criterion Collection

Ben-Hur (Four-Disc Collector’s Edition)

“Braveheart” is quite simply, one of the best and most successful movies ever created and a mountainous share of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I gorgeous worthy wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only unbiased recently took the opportunity to sight it again and no matter how many times you view this movie, it is detached a sparkling, compelling and extraordinarily intelligent film that draws you in to the life of William Wallace despite already incandescent how it’s going to ruin.

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The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that “Braveheart” won five Academy Awards, including Best Recount of 1995 and Best Director for Mel Gibson. The only legal surprise was that he wasn’t among the top five nominated for or won the Best Actor award.

High praise also goes to the long list of supporting actors and actresses that starred in this satisfactory film! Most significant was the performance by Sophie Marceau, one of the most sparkling women on the planet. Patrick McGoohan was absolutely astonishing in the role of the villain Longshanks, King Edward I, delivering a memorable performance.

One of the most principal performances in this film, among the many, was the work done by James Horner who was responsible for the catch. As is normally the case when his name appears in the credits, everything about the fetch, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.

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The Premise:

As the outmoded saying goes, is it Hollywood or History? The truth is, of course it’s a bit of history, build together Hollywood style to gain one of the best films ever presented to an audience. The truth slack it is that we’ll never know as recorded history from this era is circumspect as best. Where a enormous allotment of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace’s.

As this historic film opens, we perceive a young William Wallace in Scotland as he’s learning the harsh lessons of life in his era. After his family is killed in battle he’s fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) remove him under his hover! Several years later he returns home to gather that his countrymen are peaceful suffering under the yoke of English oppression but he didn’t reach home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Downhearted events unfold from there and William loses the care for of his life and goes on a rampage not only to avenge his treasure but to free his country…

What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend “Braveheart” to any and all who are enthusiastic in seeing what moral movie making is about! {ssintrepid}

Special Features:

-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker’s Passion: The Making of Braveheart
Lumosity
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March 3, 2010

Emperor of the North Streaming

Filed under: Emperor of the North — Tags: , , , , — alfredpearson1966 @ 8:23 am
Emperor of the North Streaming. Emperor of the North Streaming.

Product: Emperor of the North
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EMPEROR OF THE NORTH POLE is my accepted movies, and LEE MARVIN is one of my approved actors. I have been waiting for years for this movie to arrive out on DVD. I hope the DVD includes features such as the movie trailer, and the “making of feature” (which I have seen for sale separately on video tape), and a photo gallery.

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Why is this my common movie? I grew up where the right A-No.1 hung out, where his 12 books on being a hobo were published, and where he finally settled down, and died. A-No.1 was a precise life folk hero featured in a college class on American Folklore. A-No.1 a.k.a. LEON RAY LIVINGSTON (1872-1944) was born in San Francisco, and at the young age of 11 young LEON RAY LIVINGSTON ran away from home and took to the rails. He had a done something, he couldn’t seize exactly what it was, and feared that his parents would punish him, and rather than face his father he ran away being inspired by the song, “THE Grand ROCK CANDY MOUNTAIN.” My tremendous grandfather (The Jew) lived in a rooming house in Cambridge Springs, Pennsylvania, where A-No.1 would end when he was in town, and where A-No.1 would meet his future wife. My mother’s father (Steve German) rode the rails when he first came to this country in 1910. My expansive uncle Henry L. spent most of his life living as a hermit in tar paper shacks and hollowed out earth mounds. When the Gypsies came to town, I would go with him to listen to the music around the campfire at night. As a young kid I (Grahamqckr) had to prance the rails as well. It will remain the happiest time of my life being chased by railroad dicks though scream yards. And I worked in a flour mill where the owner Harry Moffatt remembered seeing A-No.1 when he would near into town. A-No.1’s books inspired my father (Erie Ted) who was a teenager in the 19-teens to speed away from home on a number of occasions. He would kill up in places like Canada, and Mexico, and his mother would have to send money for his impress home.

The books of LEON RAY LIVINGSTON (a.k.a. A-No.1) published in Cambridge Springs and Erie, Pennsylvania, by A-No.1 Printing Company are as follows: “Life and Adventures of America’s Most Famous Tramp! “A-No.1 The Champion Tramp Of The World” The Staunch Upright Life Adventures of A-No.1. The famed tramp who traveled 500,000 miles for $7.61. A-No.1 the King of the Hoboes. A-No.1 Leon Ray Livingston.”

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1. Life and Adventure of A-No. 1.

2. Hobo-Camp-Fire-Tales

3. The Curse of Tramp Life.

4. The Slide of the Tramp.

5. The Adventures of a Female Tramp.

6. The Ways of the Hobo.

7. The Snare of the Road.

8. From Fly to Cruise with Jack London.

9. The Mother of All Hoboes.

10. The Wife I Won.

11. Traveling with Tramps.

12. Here and There with A-No. 1.

He gained fame seldom equaled by anyone who devoted almost a lifetime to recede. He space out to glance the world when he was only eleven and for thirty-one years and four months he traveled every where. He said of himself, “I belief when I ran away from my home in California that I’d spy everything in one day, but I was spoiled and it took me thirty-one years to glean that out.”

LEON wrote articles published in the 1890’s which would basis of his book series. LIVINGSTON published twelve books, which sold by the hundreds of thousands. He turned to the lecture platform when his traveling days were over and spoke before thousands of schools and churches always on the same theme – “Home is Your Best Location.” “KING OF ROAD” – A life of wandering and traveling, which led into an example for young people through books and lecturing “Beware of the Launch Road.” LEON RAY LIVINGSTON, became famed as “A-No.1 the Tramp. Presidents Theodore Roosevelt and William Howard Taft asked to meet him.

He soon realized he was trapped in the life of being a hobo, but realized that many young kids, both boys and girls would run-away, and got killed on the trains. He spent remarkable time giving lectures on the evils of running away from home a become a hobo. He was the greatest success fable of someone who took to the trains, and learned to be a hobo. A-No.1 would not admit it, but he actually taught many people how to hop horror trains, because he spent considerable time trying to convince young people to go help home. From money from his books and lectures, he bought one intention tickets home for these kids. His greatest success anecdote was a young JACK LONDON who when home to lead the straight and narrow to live as an author. Many young hoboes may also have written this moniker on water tanks, railroad freight buildings, and chalk it on box cars. At one time it was more favorite to acquire “A-No.1′ inscribed somewhere, than “KILLROY WAS HERE!” A-No.1 In hobo lingo it means “number one man,” and later it came to mean, that you are “all apt (or okay) with me.” The thumbs up price, “A Number One.”

JACK LONDON whose “Moniker” or hobo’s nickname was SAILOR JACK or CIGARET. In the book “FROM Sail TO Cruise WITH JACK LONDON,” by A-No.1, he finally gets tired of hearing CIGARET urge at the mouth all the time, trying to bear the character of JACK LONDON, so he grabs him, and throws him off succor of a racy bellow. So line in the movie (EMPEROR OF THE NORTH POLE) has precise meaning, LEE MARVIN says as A-No.1 to CIGARET (KEITH CARRADINE) (to his face.), “Hey kid you got no class……(Kids face goes blank as he is suddenly grabbed, and tossed from the racy jabber into the stream below. The kids face rises out of the water. A-No.1 walks serve in the car.) …….Hits the bums kid. Speed like the devil. Acquire a tin can and lift up mooching. Knock on wait on doors for a nickel. Declare them your epic. Fabricate em scream. You could have been a meat eater kid (A-No.1 pointing at him.) …….But you didn’t listen to me when I laid it down……(Kid swings hand in water.) ……Conclude off the tracks. Forget it. Its a bum’s world for a bum. Your never be Emperor of the North Pole Kid. You had the juice kid, but not the heart, and they go together. Your all gab, and no feel, and nobody can affirm you that, not even A-No.1. So end off the roar, she’ll throw you under for positive. Remember me for that. So long kid.”

EMPEROR OF THE NORTH POLE never mentions that the LEE MARVIN character is an author of books. The valid A-No.1 kept a series of fade journal notebooks on his person, where as the LEE MARVIN A-No.1 is impartial living his life. “FROM Soar TO Flee” is an gripping adventure unique. It centers around the hobo partnership of the author, LEON RAY LIVINGSTON, a.k.a. A-No.1, and JACK LONDON (who was a slightly better writer than A-No.1) . They depart from Modern York City out to San Francisco by rail, and have a crazy an adventure on the design. A-No.1 feels very conflicted about his life on the road as a railroad tramp. He clearly hates it, yet cannot stay the life. All of A-No.1’s books are a must-read for people who are involved in the psychology of the hobo-tramp, language and culture of the period. JACK (JOHN GRIFFRITH) LONDON (1876-1916) in his book, “THE ROAD-HOBOES THAT PASS IN THE NIGHT,” published in 1907, does not even mention A-No.1 once in the long list of hoboes and tramps that he encountered! However, he does talk about SKYSAIL JACK who in the movie only rode SHACK’S relate only in a coffin.

Some minor technical problems with the movie are:

(1) The radio speech of President Franklin D. Roosevelt as heard in SMILE’s caboose took dwelling on a different date than in the movie, October 22, 1933. The fireside chat from President Franklin Roosevelt is from 28 April 1935. Hey, it works for the scene, and for the depart as a whole.

(2) ERNEST BORGNINE who plays the murderous bug-eyed SHACK…….A Shack

is a brakeman, and not a conductor. The brakeman is the occupant of a caboose. Shack’s master is a conductor. SHACK may have started working as a brakeman, and retained the name of SHACK. BORGNINE is a sadist, who sports a menacing grin, and believes that the hoboes are the scum of the earth. He will sledgehammer anyone to death who thinks they can net a free traipse on his remark. SHACK’s claim to fame is, no one gets a free mosey on his verbalize unless they want to be dumb. LEE MARVIN is laconic, immensely proud to be a hobo, and proud enough to claim he can rush any negate for free. The sincere A-No.1 was also known by everyone he encountered, and in a short time it was like he had a rail pass to jog any voice in the country for “free” and no one would set aside him off. Even in JACK LONDON’s chapter article and book, “THE ROAD-HOBOES THAT PASS IN THE NIGHT,” mentions that “SHACK” is a “brakemen” who don’t bother them, and let them (the hoboes) sleep all night.

(3) CHARLES TYNER who plays CRACKER……..A Cracker (1) – A contemptuous name for a railroad worker who works below or underneath a higher grade person. A slang term for terrible southern white trash. Cracker (2) – One who is sluggish, brutal, inquisitive, intolerant, illiterate, ignorant, and of the lowest class. CRACKER is unbiased CRACKER, and we treasure him for that. HARRY GAESAH who played COALY which is a the railroad name of the fireman. They shovel coal like the stokers on a steam ship, and everything around them would become dusky like coal. MALCOLM ATTERBURY who played the engineer which were known by the name of HOGGER.

An early draft of the script for the 1973 Robert Aldrich classic THE EMPEROR OF THE NORTH POLE, cloak play by CHRISTOPHER KNOPF, the movie takes station in 1905 rather than the grand depression. GEORGE C. SCOTT was originally asked to play A-No.1 because of his work in the movie FLIM FLAM MAN, but turned it down. GEORGE C. SCOTT would have been fantastic as A-No.1, but LEE MARVIN has become the valid movie version of A-No.1, forgetting the fact that the trusty A-No.1 LEON RAY LIVINGSTON was short, had a moustache, and was half-Jewish. He could stammer Hebrew and Yiddish with the best of them. GEORGE C. SCOTT has a slick quality about him where LEE MARVIN has a rough edge quality to him. LEE MARVIN is terrific as the spry and wrinkled tramp, who long ago forgot when the knocks stopped hurting, and is a professional tramp (with his skimmer-a flat hat that won’t blow off, goggles, gloves, leather belt, straight razor blade, butt board, etc., besides the bindle that he lost to the road kids at the beginning of the movie) remarkable like the proper A-No.1.

The movie opens with “1933 THE HEIGHT OF THE Big DEPRESSION

Hoboes, roamed the land; riding the rails in a desperate search for jobs. Spurned by society, unwanted and homeless, they became a breed apart. Nomads who scorned the law and enforce their maintain. Dedicated to their destruction was the Railroad Man who stood between them and their only source of survival — The Trains.”

The lyrics of “A MAN AND A Whisper” by HAL DAVID MUSIC BY FRANK DeVOL and sung by MARTY ROBBINS. “A Man, and a Mumble. A scream and a man. The both try to accelerate as far, and as far as swiftly as they can. But a man is not a order, and a sigh is not a man. A man can do things that a snort never can. Going up a mountain. Even half contrivance to the top. A puny that a recount runs out of steam, its got to conclude. But is a different epic, when a man runs out of steam, he level-headed can go a long, long plot, on nothing but a dream……….So don’t try and conclude me. So don’t try and conclude me, because no body can………….I’ve got a dream, a blooming dream, and that makes me a man……….I’ve got a dream, a ravishing dream, and that makes me a man. (Express moves onto siding.) Oh, No don’t try and close me. Don’t try and halt me. No body can. I’ve got a dream, a exquisite dream, and it makes me………Makes me a man.”

Men (even if they are hoboes or tramps) are a mighty mythic symbol, showing the oppressed versus the oppressor.

A movie for any fan of Ernest Borgnine, Lee Marvin or Trains. Region in the Gargantuan Depression of the slow 20’s – 30’s. Borgnine portrays Shack, a conductor whose disregard for hobos is legendary. Lee Marvin as A Number One, is the quintessential rider of the rails, who is forced to deal with Shack and a young upstart “bo” played by Keith Carradine. A large chronicle! Peer for the scene with the constable “barking like a dog”!

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March 1, 2010

Home Alone 2: Lost in New York Movie Streaming

Filed under: Home Alone 2: Lost in New York — Tags: , , , , — alfredpearson1966 @ 10:49 pm
Home Alone 2: Lost in New York Movie Streaming. Home Alone 2: Lost in New York Movie Streaming.

Movie Title: Home Alone 2: Lost in New York
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Home Alone 2: Lost in New York is available for streaming or downloading.

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“Home Alone 2″ has everything the novel did, and some extras. It’s a runt bit different, but in a proper scheme. Kevin McAllister (Macaulay Culkin) boards the improper plane and heads to Current York City while his family is on their plan to Miami. Only this time, he’s not stuck at home, he’s in a huge city. Also, in this one, he makes a few friends, most notably a pigeon lady and a toy store owner. “Home Alone 2″ has more drama in it than the first one did, and when you hear Kevin talk to the pigeon lady and gather out why he vows to finish the ‘Wet Bandits’ once again, you’ll peep that.

But don’t acquire me cross, “Home Alone 2″ doesn’t suffer any in the comedy department. The traps are objective as clever and hilarious, and the movie is unprejudiced as powerful of a holiday classic as the recent “Home Alone” was. If you liked the fresh “Home Alone,” or if you like Christmas comedy movies, I’d recommend getting “Home Alone 2: Lost in Fresh York.”

Last time around, Kevin (Macaulay Culkin) was left home alone (pun intended) by his family in a frantic hasten to collect to the airport. And to add insult to injury, he had to deal with a couple of bumbling sillies–burglars who wanted to burglarize his house–who went by the name of the “Wet Bandits.” This time around, it’s more of the same, but with a petite difference: this time, he gets on the tainted plane, and is left to his hold devices in the “Grand Apple”–a/k/a Recent York City.

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The set is radiant similar to the last one in many ways: Kevin gets into anxiety due to getting into it with his older brother, and is punished. He gets fed up with his family treating him unfairly, and in the midst of his angst, wishes that he could have a vacation on his absorb, without any of his family. The next morning, in a frantic bustle, the family rushes to the airport to go to Florida for Christmas vacation. In the airport, Kevin stops to do some batteries into his cramped camcorder (which will be largely notable later in the film), and as soon as he lifts his head, his family are long gone. He spots an older guy from the backside who looks like his dad, and therefore gets on the same plane as this gentleman, believing that it really was his dad. Needless to say, he was in for a vast surprise when the plane landed.

Meanwhile, the “Wet Bandits” (Joe Pesci and Daniel Stern) run from jail, and are in the “Enormous Apple” as well. You know what happens: they unfavorable paths, and these two clowns are looking for revenge. The slapstick craziness that was seen in the last film, is taken up an extra notch, and is made gut-bustingly funnier as a result. (And again, unbiased listening to Daniel Stern’s demented operatic-like screeching as he gets his, alone, unprejudiced slams the wind straight out of me. It’s too hilarious!)

Buy,Download, Or Stream Home Alone 2: Lost in New York! Click Here

Buy,Download, Or Stream Home Alone 2: Lost in New York! Click Here

As for poignant moments, last time around, the “scary” character was an frail man who was rumored to be a murderer. This time, it’s a homeless woman who dwells in Central Park, and her companions are a bunch of pigeons.

These Home Alone films are recommended for anyone with a taste for over-the-top, tainted slapstick humor, added with a expansive dose of mischief. Also recommended if you want to bring out the kid in you.
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February 26, 2010

Stream We Were Soldiers Movie Online

Filed under: We Were Soldiers — Tags: , , , , — alfredpearson1966 @ 1:24 am
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Movie Title: We Were Soldiers
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I live with a Vietnam Vet who served in the tedious 1960s with 1st Cav. Medivac. During service he earned two Purple Hearts, the Notorious Flying Heinous, and the Air Medal. Since WE WERE SOLDIERS concerns the 1st Cav., Randy wanted to peek it. I reluctantly agreed; I am not partial to war films and I loathe Mel Gibson, and Randy is very hard on Vietnam War films. He dismisses PLATOON as a Hollywood 8×10 glossy; says APOCALYPSE NOW is an consuming movie that captures the paranoia, but all the technical details are wrong; and describes DEER HUNTER as righteous in its depiction of the strangeness of coming home but so chubby of region holes that he can hardly endure it. And about one and all he says: “It wasn’t like that.”

He was restful through the film, and when we left the theatre I asked what he belief. He said, “They finally got it. That’s what it was like. All the details are moral. The actors were honest like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew.” The he was still for a long time. At last he said, “You remember the scene where the guy tries to catch up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter atomize. I went to retract him up and all the skin objective slid suitable off. It looked unbiased like that, too. I’ve never told any one about it.”

In most respects WE WERE SOLDIERS is a war movie slow and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the reach destruction of the 1st. Cav.’s 7th Battalion at Ia Drang clearly arises from the top brass’ foolish decision to send the 7th into an clear ambush–but the film is not so worthy alive to in what was going on at home or at the army’s top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I–nor any one in the theatre I could see–was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far valid to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.

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Perhaps the single most impressive thing about the film is that it never casts its characters in a gallant light; they are simply soldiers who have been sent to do a job, and they do it intelligent the risks, and they do it well in spite of the odds. Mel Gibson, although I generally abhor him as both an actor and a human being, is very, very worthy as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly stunning, with Julie Moore able to order in examine what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are racy, lickety-split, and have a “you are there” quality that is very grand.

Randy did have a criticism. “I don’t reflect there would be time for casualty telegrams to actually gain home while the battle was going on,” he said. “After all, it only lasted three days.” I myself had a criticism; there were points in the film when I found the exhaust of a very modernistic, new-agey part of music to be intrusive and out of position. And we both felt that a scene come the extinguish of the movie, when a Vietnamese commander comments on the battle, to be astounding and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn sparkling movie. I’ll give Randy, who served two tours of duty in Vietnam, the last word: “It may not be ‘the’ Vietnam movie. I don’t consider there could ever be ‘the’ Vietnam movie. But they salvage everything proper. That’s how it looked and sounded, and that’s what I saw, and this is the best movie about Vietnam I’ve ever seen.”

This is war and it truly is hell. Outnumbered on the field and backed by the politically driven Defense Department of the time, one battalion finds itself outnumbered and fighting for its life in the jungles of Vietnam.

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A fresh reviewer here mistook what this movie was about. It is NOT about America’s war in Vietnam and all the ideology leisurely it. Its about a battle that occurred in the early years of that war between a original type of specialized fighting unit and a very sure enemy. America wanted to capture the enemy for the first time and this is the battle. The only politics fervent here is the decision not to screech a National Emergency thus allowing the Army’s most experienced soldiers to leave at the ruin of their enlistments, when ironically they were most needed. This movie is about a battalion commander training his unit, getting orders and shipping off to war. It also gives an advantageous gape at what the wives had to endure during that awful time.

If one wants to peep at the politics of this war, check out HBO’s Path to War. Path to War shows the speech were LBJ sends this unit, the Air Cav, to Vietnam and the political reasoning slow it. It goes through LBJ’s escalation and McNamera’s change of heart on the winnablity of the war. Highly recommend it.

Buy,Download, Or Stream We Were Soldiers! Click Here

Buy,Download, Or Stream We Were Soldiers! Click Here

Anyway, in realism this ranks up there with Saving Private Ryan. By reading the book you rep a grand better choose of what happened as well as the legend not told of what happened at LZ Albany. That encounter was even a worse then what happened at LZ X-Ray.

All told this movie gives the feel of how outrageous, horrowing and confusing first-hand combat can be. One decision can lead to winning the day, or as the movie shows, getting yourself crop off and most of your men killed. As for accuracy to what occurred, a group of soldiers that were there appeared on The History Channel’s “Hollywood vs History” program and they concurred that it was 75-80% proper. 20 – 25% Hollywood. That’s probably a valid ratio indeed. Oh, and the tiny American Flag at the raze was accurate, not Hollywood. And Sam Elliot deserves an Academy Award for his portrait of American Hero Sgt. Major Basil Plumley.
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February 24, 2010

Watch Vandread and Vandread the Second Stage: Complete Collection Online

Filed under: Vandread and Vandread the Second Stage: Complete Collection — Tags: , , , , — alfredpearson1966 @ 12:10 am
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Quite an novel belief for an provocative series I must say. When humanity leaves earth men and women choose to go their seperate ways and the eventual result, of course, is war. Men are taught to bear that women are heartless, inferior monsters and that is where we start. When our male protagonists’ ship is attacked by a group of fearsome female pirates the star of the prove, Hibiki, is captured along with two others and brought aboard the ship “Nirvana”. Having never encountered each other before, the men and women are about to bag a serious education that may change the universe as they know it. “Vandread” is a wonderful series about the lack of concept between the two genders. The men’s world is a practical one, bland and macho with only tastless military rations to eat and the soldiers fight in vanguards, remarkable flying robots. The women, on the other hand, are obsessed with aesthetics, attend their crew home-cooked meals, and flee blooming spaceships, dreadnaughts, into battle. There is a tremendous episode where Hibiki and his main worship interest, the adorably ditzy Dita, are seen by the crew’s peruse in an out of context place where Dita is crying. Soon, the whole ship is in an uproar when the gossip spreads and the site is blown entirely out of proportion as the fable is retold and reinterpretted through every girl on the ship. Hibiki is absolutely dumbstruck at this phenomenon, being that men don’t gossip in this draw, and the result is a hilarious episode that riffs on the differences between male and female communication. Grand of the first half of the series is like this; men and women discovering each other and the misunderstandings that arrive from their inherent differences. Soon, however, a malevolent galactic entity is discovered by our heroines and the fight is on to warn both men and women of the approved foe that threatens their very existence. With the two sides unwilling to talk, it falls on the puny alliance of the pirate crew and their captives to battle this force until the two sides can be convinced of their need to cooperate. The Nirvana’s crew has a secret weapon: when Hibiki’s vanguard combines with a girl’s dreadnaught the result is a superpowered vehicle dubbed (say it with me, now) “vandread”. The vandread serves it’s purpose as an allegory for male/female cooperation and as a metaphor for sex nicely. The area battles are done is an lively CG style that was a bit clumsy in season one, but for “Second Stage” the animation for these scenes received a massive upgrade. Sadly, the best stories were in the first season though there are some blooming massive twists in the second. Overall I wouldn’t miss this series, it’s fleshy of bright characters, situational comedy, giant robot and spaceship action, and plenty of illustrations about why men and women unprejudiced don’t secure each other, but nontheless need each other. It’s a one of a kind series and a lot of fun.

Animation is quite superior. Account is also entertaining. CGI scenes could have been better, yet, quiet great better than the Divergence Eve series.

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I liked the characters also, they are very certain and varied in nature.

Most of the time the series is elephantine of cliche anime stuff but that’s why we like’em. Nonetheless the memoir has nice twists and turns and also some immense scenes. I don’t want to spoil but, there is one scene that build tears to my eyes. (Hint: Second Stage, Third Episode)

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I enjoyed it very considerable. Though not huge, I can easily recommend this series, its nice and fun.
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February 22, 2010

Stream Jonah – A VeggieTales Movie Movie Online

Filed under: Jonah - A VeggieTales Movie — Tags: , , , , — alfredpearson1966 @ 1:59 pm
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Movie Title: Jonah – A VeggieTales Movie
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I saw a premier showing of Jonah and I could not maintain the quality of the animation, the amazing music, and a very well told yarn. I idea every aspect was outstanding. My kids are 6 & 9 and they loved it and were singing the songs afterwards. As a dad I plan it provided distinct messages I want reinforced in my children. I cannot recommend it highly enough. It is certainly one of the the best kids movies I have seen. In fact, if I did not have kids I would have loved it too.

Being a member of the more (as Eddie Izzard would say) “Relaxed and groovy” sect of Christianity, it is not surprising that the amazing VeggieTales series appeals to me, even at the ripe passe age of eighteen. The videos not only give God’s message in a design that petite children can swallow, but sometimes as a young adult with a past of sincere religiousness to live up to, it helps me to understand my faith better to examine it through the eyes of a child (or indeed, an asparagus) .

So when the first feature by these obliging people came out, I was among the first to examine it. (And if you reflect I was embarrassed buying a effect to “Jonah” the weekend that “Red Dragon” opened, well then…you’re apt) The film was pretty. It holds upright to the fresh (although some call it Pythonesque) style of the videos but does not depend on the videos for enjoyment. It is current, charming, lustrous, and Sherlock Holmes couldn’t secure a hint of dysfunction in the whole eighty-some minutes.

On the map to a concert, the car breaks down and driver Bob the Tomato and navigator Dad Asparagus procure support in a nearby seafood restaurant. But the right tragedy is Laura Carrot has lost the backstage pass she won out the car window. Now, Junior thinks this is expansive because she was being mean and flaunting it. At any rate, Junior encounters three “questionable” characters who call themselves “The Pirates Who Don’t Do Anything” (Behold “Very Amusing Songs” or “The Ultimate Amusing Song Countdown”) played by Pa Grape, Larry the Cucumber and Mr. Lunt. They roar a narrative about “that time when [they] did that one thing with that one guy.” This turns out to be Jonah (played to perfection by that green fleshed rival to Sir Lawrnece Olivier, Archibald Asparagus) who is adamantly against delivering God’s message to the Ninevites who sin and curse, and even slap people with fish! (A Python reference? Most definitely) So he and the Pirates flit in very distinguished the oposite direction, until a storm makes it apparent that God is very upset with one of them. So Jonah heroically hurls himself into the sea where he is promptly eaten by a whale. The theme is Compassion and Mercy and to remind you that no matter who you are or what kind of aquatic animal you like to slap people with, God says you are deserving of a second chance. I won’t announce you how the concert goes because that’ll end the movie, and I won’t order you how Jonah gets out of the whale because…well, frankly, you should know. It’s a very well known record.

Buy,Download, Or Stream Jonah – A VeggieTales Movie! Click Here

What struck me the most was the sheer scale of the project. It wasn’t honest like watching two and a half Veggie videos abet to relieve (which is not a dreadful diagram to consume an afternoon) . It was instead marvelously independent of the tapes. With camera sweeps and position designs that wouldn’t feel out of site in the latest Pixar/Disney joint. Film students would derive nothing cross with the structure and perambulate of this cinematic marvel. The characters filled their parts the design we say sitcom actors embody their characters (and maybe it’s insensible to say that the performances were favorable when the “performances” were fair state actors and cartoons, but every shrimp detail on Archibald’s face was carefully designed by the animators to grunt a specific emotion and I judge the mission was meliphluously accomplished…unless I spelled it gross) . The music was not merely up to Veggie standards, it was simply righteous. From the childish medley about “Billy Joe McGuffrey” to the Gospel choir (for my money the first reference to African-American culture in the series. Upright me if I’m nefarious) singing about a God of “Second Chances” to the “Laughable Songs with Larry” vein of “The Credits Song” it was all I could do to speed to a shop and seize the soundtrack (a college man has to eat, you know) . The slay credits also featured a song called “In the Belly of the Whale” performed by Christian rock group Newsboy, which is probably a nod to the Disney tradition of an Slay Credits Theme. Even the presence of the clearly one hundred percent clownish character of Khalil the half caterpillar/half worm salesman with a regional accent that makes Babbu Bhatt from Seinfeld glance like an Oxford English scholar could not prefer away from the quality of the experience.

So I accelerate you, Protestants, Catholics, Methodists, Christians, Baptists, Quakers, the lot to lift your children, your wives or your sheep to behold this movie. (You probably won’t be pleased it if you aren’t of the faith, because it does approach fair directly from the Bible, but if you can be patient through the religous references and stick around for the fun, go for it!) Don’t fair go because your kids want to go. Go because it’s a droll movie, it’s a salubrious movie, it’s got a well-behaved message and you’ll leave feeling elegant excellent about a thing or two. This is the kind of movie that people need to be making more of and it’s the kind of movie people need to be watching more of. I’d view it again in a itsy-bitsy.

I impartial savor those veggies!
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February 19, 2010

Heidi Movie Streaming

Filed under: Heidi — Tags: , , , , — alfredpearson1966 @ 11:41 am
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Movie Title: Heidi
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If you stacked all the DVD copies of all the box office versions of Heidi (including the slack 60s version whose accept got tarnished by NBC and a football game which by the draw I have bought since this review was originally writtem), and then play this, virtually everyone in my generation would launch giving the other discs away as Christmas Stocking Stuffers. Despite being a made for tv (the Mature Disney Channel before they went commercial) film, it surpasses all the classics. Noley Thornton’s performance is of equal caliber to Megan Follows in the Anne of Green Gables Trilogy. And what a supporting cast she has with her, Jason Robards as her Grandfather, Patricia Neal as Peter’s Grandmother, Sian Phillips (yup Livia from I, Claudius herself) as Clara’s Grandmother, and Jane Seymour as Fraulein Rottenmeir, Clara’s governess (her first unpleasant girl role I can believe of since East of Eden 81) . I was extremely grateful to study this on DVD last month, not only because it tells more of the record then any other film, but as a fellow reviewer below herself stated, the dvd copy is complete. The VHS tape had been released at 165 minutes (that’s 2 hours and 45 minutes for those who can’t convert rapid) . This disc is the chubby 191 minutes (3 hours and 11 minutes) as Disney made it in 93 all on 1 single sided disc. Regain yourself a copy, you’ll be overjoyed you did.

that becomes a treasured family well-liked. For our family, this is one of those films. This version of Heidi can aloof bring tears to our eyes after a half dozen viewings. Even my tiny four year extinct daughter, who didn’t understand why, could hardly sustain from tearing up as she watched the great rendition of this classic.

Originally over 3 hours long it has been edited to a small less than 3 hours for video without significantly affecting the chronicle. I consume the modern uncut version, however. All the casting and acting is safe, especially Jason Robards and Noley Thornton as the grandfather and Heidi. Lexi Randall, Jane Seymour, Patricia Neal and other characters were wonderful also.

Jason Robards believably captured the complex emotions of the grandfather torn between his personal guilt and torment related to the death of his son and the attempts of Heidi to come by him to begin his heart and life to her. Dete, the greedy and selfish distant cousin, at first casts off Heidi on the grandfather to salvage rid of her. Later, when she sees a contrivance to effect some money off Heidi, Dete shames the grandfather into letting Heidi go by playing up the grandfathers maintain fears that he will eventually turn against Heidi like he did his enjoy son. Robards was so pleasurable expressing the infuriate and horror that the grandfather feels before finally realizing how noteworthy he loves and needs Heidi with him. Heidi is capably portrayed by Noley Thornton who easily captures Heidi’s exuberance for life and her esteem for her grandfather and the mountains and her ability to change the lives of all those around her.

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“Heidi” is an emotional roller coaster flow and provides big opportunity for tears of sadness and joy. Punctuating the attractive scenery shot on situation in Austria is the majestic musical procure by Lee Holdridge which is worth the heed of admission itself. This is a movie you and your family will adore and peep over and over.
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February 17, 2010

Stream Enron: The Smartest Guys in the Room

Filed under: Enron: The Smartest Guys in the Room — Tags: , , , , — alfredpearson1966 @ 11:58 am
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I went into Alex Gibney’s “Smartest Guys in the Room” having read Robert Bryce’s “Pipe Dreams” and Kurt Eichenwald’s “Conspiracy of Fools” thinking to myself: should be qualified, but no draw the movie is going to reach end to telling the legend like those two authors did.

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Well, surprise, surprise: the movie is outstanding on its have terms and all credit goes to Gibney. While the books focus on unraveling all of Andy Fastow’s ‘Special Purpose Entities’ like the Raptors, LJM, Chewco, etc., Gibney brilliantly focuses on showing us things that are simply better on film: audio recordings of Enron traders jacking the California energy system; a devastated Portland Gas line worker after his 401K has gone to seed; an discouraged Skilling getting grilled by a Senate panel while Sherron Watkins glowers at him from 10 feet away; some Enron HR flack urging its employees to attach all their 401K money into company stock, etc.

And there are two improbable, spine-tingling moments if you know the Enron story:

Buy,Download, Or Stream Enron: The Smartest Guys in the Room! Click Here

- An audio recording of the distinguished quarterly results analyst call where Skilling loses it and calls an analyst an a——. [The analyst only asked why the company couldn't compose a balance sheet.] Reading Eichenwald’s book, you know Skilling is clearly unhinged at this point. For many, this call was the turning point of the huge unraveling.

- A secret video recording from Merrill Lynch of Andy Fastow’s LJM2 pitch to a bunch of bankers. This is *mesmerizing* stuff. Fastow is front and center in the books, but remains a spooky, off-camera presence in the movie. However, this one part nails him. He’s perpetrating a major fraud with that spiel.

Most of all, the movie is a tribute to the work of reporters Bethany McLean and Peter Elkind, both of whom had the guts to ask at the beginning “How does Enron originate money”? No one at the company could acknowledge the seek information from and management’s response was to attempt to bully McLean and then, in turn, bully her editors. They didn’t bend. The narrative ran. The rest is history. In business writing, this was journalism on the level of Woodward and Bernstein. All glory belongs to Ms. McLean and Mr. Elkind.

Two other grand moves by Alex Gibney:

- Getting Amanda Martin on film to talk about the tragedy of Cliff Baxter’s life and of Jeff Skilling’s career. What a intelligent filmmaker. The camera *loves* Amanda Martin. Far better for your film to have her relate that narrative than have Ken Rice, Lou Pai or any other member of the Skilling inner circle.

- Getting Peter Coyote to portray. His is the perfect utter for this saga.

Narrated by passe actor, Peter Coyote, this DVD is disturbingly dependable. It reveals the depths that people will sink at the expense of others, and it reveals how widespread it was.

First, Arthur Anderson Consulting signed off on “impress to marketing” accounting. In other words, Enron could recount their projected earnings as sincere profits. They could “picture” profits of millions of dollars that they didn’t have. They paid bonuses and other excesses with these projections.

Next, Jeff Skilling was hired by Ken Lay to bustle the operations of the company. Skilling was a man with unique, or some would say, grandiose ideas. This is fair what Lay wanted–a man of vision.

Skilling soon instituted promotions and bonuses for analysts who produced more than the other guy. Creating a classic cuthroat environment, the producers were given phenomenal bonuses while their less successful counterparts were shown the door. These were all being given on projected earnings.

One rebel market analyst from Merrill Lynch would not give Enron a “strong capture” rating. Skilling contacted Merrill Lynch who promptly fired the errant employee, and Enron gave Merrill Lynch a fifty million dollar contract.

Enter Andy Fastow another Enron executive in the mold of Jeff Skilling who managed to situation up dummy corporations which were paying Enron. Several prominent banks knew of the draw and went along with it. (You may even have your money in one of them.)

Another Enron executive, named Pi was an executive cuthroat who knew his predilections and his limits. He left the company after making $250,000,000 and married his pregnant, stripper girlfriend.

Skilling, Fastow, and Lay kept attempting fresh investments in energy and other ventures which flopped miserably. The DVD shows how they were beginning to lose their ability to judge of recent ideas to fool the public and the investors who never saw an Enron balance sheet or earnings statement.

The most chilling piece of this is the Enron analysts who were able to earn rolling black-outs through California. They invested in the stock of power companies before they called the power companies and asked them to shut down the power for hours at a time. This, in turn, created examine, which increased the trace of the stock and their profits. The exact chill is you hear what is tantamount to their psychopathic laughter at the misery and hardship they helped obtain throughout the position. In another instance, they actually began cheering when a forest fire shuts down a power plant. Their “profit cheering” with no regard for the misery of the people without power may build the viewer want to topple these guys from a astronomical building.

It gets even better–I mean, worse. Ken Lay said he didn’t know what was going on. Interviewees told Ken Lay what his analysts were doing. None were fired or disciplined. How did he not know? He, like other top executives, sold off almost all their shares in the company fair before the poor news hit. The celebrated worker who had his or her 401K tied up in Enron stock was not allowed to sell it as the company and its stock value collapsed. They lost everything. One current power company worker who was interviewed said that his pension went from $340,000 to $1,200. This was painful to listen to.

One last thing, these “Enron entrepreneurs” fought tooth and nail to hold California’s energy laws deregulated. Everything has its positives and negatives. If free market enterprise is unchecked it does lead to invention and creativity. It also leads to greed and excesses.

Maybe a petite regulation is not such a poor thing.

Update: Lay and Skilling have been found guilty. Their lawyer fees, expensive. The verdict, priceless!

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